The Life Of Walt Disney Film Studies Essay

The Life Of Walt Disney Film Studies Essay When he arrived back to the United States, Walt moved back to Kansas City where he worked on several different jobs as a commercial artist and a cartoonist. One of these jobs was a temporary contract with the Pesmen-Rubin Art Studio where he created ads for newspapers, magazines and movie theatres. It was at the Pesmen-Rubin Art Studio where Walt met Ubbe Iwerks with whom he set up Iwerks-Disney Commercial Artists, which Disney soon left and began working at Kansas City Film Ad Company where he made cut out animation commercials. Disney decided he wanted to become an animator, he read a book called Animated Cartoons: How They Are Made, Their Origin and Development through which he learned about cel animation which he found to be much more promising then cutout animation. He was allowed to borrow a camera from work to experiment at home. He recruited fellow Kansas City Film Ad Company employee, Fred Harman as his own first employee and the two secured a deal with local theatre owner F rank L. Newman to screen their cartoons which they titled Laugh-O-Grams. The cartoons were hugely successful in the Kansas City area and from their success Disney was able to set up his own studio also called Laugh-O-Gram and also hire a number of animators including Fred Harman and Ubbe Iwerks. The company soon went bankrupt as the studios profits were unable to pay for the animators high salaries and Walt was unable to manage the money. After the failure of Laugh-O-Grams, Walt set his sights on Hollywood, where he met up with his older brother Roy and using the twos collective funds they set up a cartoon studio. At this stage a New York distributor Margaret Winkler signed a deal for some live-action/animated shorts based upon Alices Wonderland, which Walt had worked on in Kansas City with Iwerks. Walt and Roy had now set up Disney Brothers Studio, a single story building on Hyperion Avenue, LA where the company remained until 1939. The Alice Comedies were quite successful until finishing up in 1927 by which time the focus was mostly on the animated characters in the series rather than the live action Alice, especially Julius, a black cat that resembled Felix the Cat. In 1925, Disney had hired Lillian Bounds to ink and paint celluloid, Walt dated Lillian for a brief time and two got married in the same year. In 1927, Margaret Winklers husband, Charles B. Mintz had taken over her business and ordered Disney Studios to make a new animated series to be distributed through Universal Pictures. Oswald the Lucky Rabbit was the new series and was an instant success. Oswald, a character drawn and created by Iwerks became a popular figure. The company was doing so well that Walt hired 4 more animators. In February 1928, Mintz and Disney met to discuss a new fee for the shorts. Disney was looking for a higher payment but Mintz informed him that not only was he reducing the fee per short but that he had taken most of his main animators (except notably Iwerks) under contract and could begin his own studio if Disney did not accept the cuts and that Universal, not Disney, owned the trademark of Oswald the Rabbit so they could continue to make the films without Disney. Disney declined Charles Mintzs offer and lost the majority of his animation staff and his beloved Oswald the Rabbit. After losing Oswald, Walt Disney felt like he needed a new approach to his cartoons and new character to replace Oswald. The new character was based on a mouse that Walt had adopted as a pet while working in Kansas City. Ub Iwerks took Disneys rough sketches of the mouse, making it easier to animate. The mouse was originally called Mortimer, but later christened Mickey by Lillian Disney who thought the name Mortimer was too stiff and convinced him to go with Mickey instead. Mortimer later became Mickeys rival for Minnie. Mickey first starred in two silent films called Plane Crazy and The Gallopin Gaucho, both these films failed to find a distributor. By this time other film studios in Hollywood had began using sound in their movies and after Walt had seen The Jazz Singer, the first movie with sound, Disney decided to make the fist all-sound, talking and music cartoon with Mickey Mouse starring as Steamboat Willie which was distributed by Cinephone (1928). Eight years later, in 1936 c ritics and fans all over the world agreed that Mickey Mouse was the most recognized figure on the planet. It was Walt himself that provided Mickeys voice until 1946. Although he had stopped actually drawing the cartoons himself in 1927, Disney relied on his animators to implement his ideas which included launching many other successful cartoon characters over this time including Donald Duck, Goofy and Pluto. In 1932, Disney received a special Academy Award for the creation of Mickey Mouse. Disneys Success continued to soar throughout the 30s and 40s, with 1937 1941 being known as The Golden Age of Animation. In 1934 Disney began making plans for a full length feature animation, Snow White and the Seven Dwarfs with an estimated budget of $150,000 that ended up costing Disney $1.5 million. The studio actually ran out of money mid 1937 and had to show a rough cut of the film to loan officers at the Bank of America who gave them money to finish production. The premiere on the 21st December 1937 was met with a standing ovation. The film was released in February 1938 and earned over $8 million on its first theatrical release, at a time when the average ticket price was 25 cents. On the success of Snow White, Disney was able to build brand new studios in Burbank, which opened for business in December 1939. Over the next four years, Disney produced Pinocchio, Fantasia, Bambi and Dumbo and early production work had started on Peter Pan and Alice in Wonderland. Although the ear ly forties proved difficult for Disney as many of the top animators went on strike. Personal Politics Throughout his life Walt Disney gave off the perfect public persona, but Walt has had many critics during his life and since his death. In the studios in Hyperion Ave, his employees knew him as Uncle Walt which at the time was a term of endearment and it seemed like a privilege to them not to have to call their boss Sir or Mr. Disney. The animators worked long hard hours to meet Disneys high standard of perfection, Everybody loved the studio, everybody joyfully worked over-time putting in all the hours needed without any pay, everybody liked each other and liked Walt Bill Melendez, animator at Disney Studios 1937-1941. But when the studios moved to the new location at Burbank, Disney introduced a high degree of specialization among his work force transforming animation into a production line process, here at last was the rationally planned factory Disney had dreamed of. Walt showed off the studio is a film called the reluctant dragon in which smiley white coated worked go happily abo ut their day. But reality at the new studios wasnt all that it seemed. The workers had been promised that the move from Hyperion was good for them as well as Walt, but this was not the case, in fact some workers fell that is was in some ways a deterioration in their working conditions. Marie Beardsley was one of the artists who made the move everything was segregated, everything got too big and too impersonal and I think thats where the trouble started. Through using this factory like method in the studio had created a hierarchy of jobs, at the top being the animators, all male and all hand picked by Disney beneath them was hundred of inkers and painters, who coloured in the thousands of pictures that made each scene. They were all women. Marie Beardsley said it probably never even occurred to Walt to put a man in the inking and paintingà ¢Ã¢â€š ¬Ã‚ ¦ That was demeaning work, she recall supervisors walking around and standing behind and other women to see how well they were inking and how fast they were painting. They were timed to see were they worth keeping on. Bill Melendez recalls Walt saying that women were Ok to be used in a menial capacity because once they reached the age of thirty the hand got shaky so it was time to get rid of them. Things had changed in the new studio and Disneys increasingly tyrannical style of management meant for some that the words Uncle Walt took on a much more sinister meaning. Disney was unusually straight-laced for a Hollywood big shot; Marie Beardsley recalls a memo being sent around to all the girls in inking and painting saying that The married men in Disney were happily married and we want all of the girls to understand that, he disliked any sort of sexuality or even socialising amongst his employees. He and Lillian were together for forty years until his death and no one at Disney Studios recalls him ever showing any interest in any other women. He actually told one of his animators that he loved Mickey Mouse more than any girl hed ever known. On Walts 35th Birthday two of the animators made a film of Mickey and Minnie consummating their relationship, at the end of the film Walt stood up and said that it was great animation, he then asked who had made it, the animators who made it stood up and Walt fired them on the spot. Case Study: Disney Corporation vs Fitzpatrick In 2001, Denise and Francis Fitzpatrick, a young professional couple from Ireland did the impossible and defeated The Walt Disney Company in a legal battle over the rights to the name of their character Piggley Pooh for a TV series they wanted to develop. In 1999 Denise and Francis received a letter from Disney saying that the company was opposing their application for the trademark of Piggley Pooh in Europe because of Disneys character Winnie The Pooh. The Fitzpatricks faced an almost 3 year long battle with one of the biggest entertainment corporations in the world. In which they became emotionally, physically and financially broken. Winnie the Pooh is character from books written by A.A Milne in 1926.in 1930 Steven Slesinger purchased the rights to Winnie the Pooh from Milne for a $1000 advance and 66% of Slesingers income, by November 1931 Slesinger had turned Winnie the pooh into a $50 million a year business. Walt Disney bought Winnie the Pooh off Slesinger in 1961 and was paying twice yearly royalties to A.A Milnes beneficiaries until 2001 when they paid a lump sum of $350 million. The lump sum was spread out between the Royal Literary Society, the Westminster School and the Garrick Club and family of A.A Milne. Winnie the Pooh now raises at least $6 billion revenues for Disney each year. As a young girl on her grandmothers farm in Co Meath, Denise had a fascination with the pigs that were there, she used to visit them every time she was on her grandmothers farm and loved to make up stories about them. The main character in all her stories was Piggley Pooh. Denise says she had never heard of Winnie the Pooh or Piglet or any of the animals in 100 Acre Wood during her childhood in the 1960s and 1970s, like most Irish children she read Enid Blyton and other English wirters. Her imagination ran wild throughout her childhood as to what this marvellous little Pigley Pooh would be getting up to. Denise also had a love for stories from Celtic mythology and old Irish seanchaà ­s throughout her life. This is what she wanted the Piggley Pooh TV series to be based on, a simple story for children, with a moral lesson behind it. Disney were adamant the Fitzpatricks stop the production of the Piggley Pooh TV series, or at least change the name, something Denise was thoroughly against, she would not even hear of having the h at the end of pooh dropped. After the letter in January in 1999, they decided not to let the giant corporation ruin Denises childhood dreams. Piggley Pooh was already a registered trademark in the U.S, but they were objecting to the name becoming a registered trademark in Japan and Europe. Francis met with their Trademark Agents who were quite confident that they has a pretty strong case. Disney were trying to prove that their ownership of the name Winnie the Pooh was being stolen by the use of the word pooh in Piggley Poohs name. In 2000, Denise and Francis flew over to L.A for a meeting with Steve Ackerman, Disneys chief counsel worldwide. After many attempts to postpone their meeting, Francis arrived at the Burbank Studios where Ackerman showed up 40 minutes late for their meeting without a word of apology. Ackerman straight out told Francis that the problem they had was one of theft, they had stolen two names from Disney. Pooh and Piglet. Although they had slightly altered Piglet, they had still put it side by side with Pooh, and hoped to make millions from it. This is what the Disney Corporation thought about Francis and his wife and family and it looked as if they were not going to stop at anything to get their names back. The meeting was a hostile one, with Ackerman claiming that Disney could prove that there were Winnie the Pooh books in circulation in Ireland at the time of Denises childhood. Francis was called a thief many times and an Irish bastard. But things came to a head when Ackerman threatened the Fitzpatricks children Listen Francisà ¢Ã¢â€š ¬Ã‚ ¦ Youre not going to get the better of the Disney Corporation. Nobody gets the better of Disney. We got the recourses. We got the time. We got right on our side. Well go after you all around the world and bankrupt you. Youre a family man. You got children. You need to think again Youve got young childrenà ¢Ã¢â€š ¬Ã‚ ¦ You and your wife have to look after them, not waste their future Francis flipped telling the corporate giant never to mention his children again. Telling him that Disney were the thieves in all this, stealing peoples dreams, peoples rights to tell stories and stealing something that had been a part of Denises life since she was a child. After this outburst, Ackerman realised that the Fitzpatricks were serious about this and would not be backing down anytime soon. The two men continued the meeting in a civil manner, with Disney proposing a settlement out of court of $500,000 for the Fitzpatricks to give up the Piggey Pooh name. They refused this offer and met the Disney Company in the European Trademark courts in Alicante, Spain in January 2001 but no oral hearing happened, it was done behind closed doors. Three months later Francis has a phone call from their Trademark Agents telling him it was good news. They had won, Disneys objection had been overruled and they were entitled to registration as owner of the trademark. But this wasnt the end for the battle for the name Piggley Pooh. In March 2002, Royal Bank of Scotland, the bank funding the TV series decided that the name Pooh must come out of the name Piggley Pooh because of Disneys powerful stance in the marketplace was too threatening to the brand of Piggley Pooh. If a Piggley Pooh soft toy were on sale for $10 in childrens shops, Disney would sell Winnie the Pooh for $8. The Fitzpatricks were back to square one. Although they had beat the Disney Corporation in the courts they had not fully won. Out of this Piggley Winks was born and turned into a successful animated TV series.

Venus’ Mirror: An Image of Baroque Art

The Baroque period was one of the most colorful periods in European history. It consisted of many changes in the continent such as the development of Martin Luther’s reformation, which was the birth of Protestantism. It was also a time when Feudalism was diminishing, leading the way to a government based on a single authority. In Spain, the best Baroque artist was Diego Velasquez.He was born in June 6, 1599 in Seville and died in August 6, 1660 because of fever. He was an apprentice of Francisco Pacheco, who was a famous disciple of Flemish and Italian realism which greatly influenced his works.In 1623, he went to Madrid, where he painted a portrait of King Philip IV. Afterwards, he was appointed as the official painter of the royal family for six years. Aside from religious paintings, he also painted works with mythological themes. Velasquez was a true baroque artist. This period of art was used by the Roman Catholic Church as a way to counteract the spreading Protestantism. In Velasquez’s works, he served that purpose with his ‘bodegones’ which focused on subjects that are found in everyday life and combined with religious scenes.He often used the people of Seville as models for his bodegones. The painting â€Å"Venus at her Mirror† is one of the most famous paintings done by Diego Velasquez. Although baroque style originated from the Roman Catholic Church, it also gained attention from the secular side of the society hence, the mythological theme. â€Å"Venus at her Mirror† portrays qualities that are found in baroque paintings depicting power, massiveness, and dramatic intensity. It is an image with high contrasts of light and dark colors.The painting shows Cupid without his bow and arrows and holds a mirror in front of Venus. What is interesting about this painting is that it does not clearly follow principles of optics as Venus’ reflection in the mirror seems blurring. This irregularity is one of the main ch aracteristics of baroque art, where the very word itself means â€Å"irregular†. It is the very same mirror which catches my attention because it does not reflect the exact details of Venus’ face. What the artist is expressing in this painting is that what is seen is not Venus’ face but her image.Its baroque influence tells us that Venus is the goddess of beauty, and the beauty is unsurpassable that Cupid himself surrendered to it, laying down his bow and arrows. It is an exaggeration of beauty portraying dramatic intensity. This painting shows the beautiful body of Venus. However, Velasquez painted it in such as way that the observer’s eyes are led towards the mirror and not on the body. Thus, the painting is a reflection of realism. What we see in the mirror is only an image of a beautiful woman, but not Venus herself.In the human context, we observe that what man sees first is the image of a person and not the person himself. This reminds me of the fir st day of school of every school year, where students start to introduce themselves to one another. As the days pass, students would group themselves according to their image, creating a status quo. This ‘labeling’ of people according to their general image prevents us from expressing our true selves and our values. Let us take note that in the painting, the mirror shows only an image of a beautiful woman.Will never know how beautiful Venus really was in the painting. The fact that her beauty is incomparable perhaps makes us look at it in another way. It may also be an indication that perhaps the real beauty is the one behind the image. References â€Å"Diego Velazquez Biography†, (n. d. ). Retrieved May 6, 2010 from http://www. spanish- fiestas. com/art/spanish-artists-velazquez. htm. Fitzpatrick, A. , (1978). The Baroque Period, Minnesota: Creative Education, p. 7-12. â€Å"Velazquez Venus at Her Mirror†, (2009). Retrieved May 6, 2010 from http://www. pa intingall. com/articles/velazquez-venus-a

Essay on Executive Summary - 985 Words

Running head: EXECUTIVE SUMMARY Executive Summary Hilda C Benitez Grand Canyon University NRS-451: Nursing Leadership and Management August 12, 2012 Executive Summary It is a well-known fact that obesity continues to burden the healthcare industry. According to the reports made by Center for Disease Control and Prevention (CDC, 2012), medical costs associated with obesity were estimated at $147 billion in 2008. Presently in the United States, two-thirds of adult population and approximately one in three children are fighting issue of being overweight or obese (Troy, Capretta, O’Grady, 2012). Obesity leads to chronic health diseases such as diabetes, hypertension, and other heart problems such as breast and colon cancer†¦show more content†¦According to Cohen, R. (2011), low-income families have higher incidence of being overweight or obese because they have limited access to healthy foods. There is an increase in population of obese children today, which may result to adults with health disparities in the future (Cohen, 2011). The project will focus on African-Americans and Hispanics families because they have a h igher risk of diseases tied with poor eating habits (as cited in Cohen, 2011). Benefits of the Project The M.A.D.! Campaign is a project aimed to reduce number of childhood obesity in Southern California. If these children are molded into adapting a healthier lifestyle by eating right and being active, the prevalence of them becoming obese adults will be lower. The campaign will work to change the environment of identified low-income communities where neighborhood markets offer affordable fruits and vegetables, play area that are safe for children to actively participate in such as basketball court or playground, and healthier choices in school and workplace cafeterias. Cost Justification Prevention has been proven to be more cost-effective in the long run than treating health disparities or chronic diseases. Investing approximately $5.5 million for a five-year, community-based initiative to transform low-income communities, particularly in schools and workplaces in Southern California, will allow campaign to operate to its full capacity.Show MoreRelatedCja 394 Court Managment Executive Summary Essay853 Words   |  4 PagesCourt Management Executive Summary Learning Team HERE Contemporary Issues and Futures in Criminal Justice/CJA 394 May 28, 2013 Amanda Behl Overview The American court system is quite daunting and complicated. Consequently, the assistance previous available is no longer accessible resulting from budgetary issues. Therefore, strategic planning goals and management skills are essential to providing an efficient and smooth operating judicial system. Moreover, public education, access to theRead MoreHome Depot - Executive Summary Essay794 Words   |  4 Pagesï » ¿Executive Summary -The Home Depot The Home Depot (Ticker: HD) is the world’s largest home-improvement retailer along with being an American Fortune 50 company. The company operates 2,259 retail building supply/home improvement â€Å"warehouse† type stores all across the United States, Canada and Mexico. The Home Depot has over 340,000 team members and is based in Atlanta, Georgia. The average store size is just over 100,000 square feet along with an additional 24,000 square feet set aside for seasonalRead MoreManagement1034 Words   |  5 PagesExecutive Summary The purpose of an executive summary is to summarize a report. Executive summaries are written for executives who most likely do not have time to read the complete document. Therefore, the executive summary must cover the major points and be detailed enough to mirror the content yet concise enough for an executive to understand the substance without reading the entire report. An executive summary differs from an abstract. Readers use an abstract to decide whether to read the completeRead MoreA Summary On The Executive Summary1422 Words   |  6 PagesExecutive summary Name Course Institution Tutor Date Introduction The executive summary has the purpose of putting all the documents together while polishing the ideas to be discussed in the document wholly. The executive summary from any document also gives a brief summary and questions how specific numbers in the whole research document are derived. It also gives a brief overview of the whole research in question while giving the histories of the research in question. It is usuallyRead MoreExecutive Summary : Lp Pty Ltd ( Lp ) Company2741 Words   |  11 PagesExecutive summary This report provided the general information such as, meaning, detailed information on the board of director also the meaning restructuring the operation to decrease the cost and operational consultant, who able to improve the business also using the example of LP Pty Ltd (LP) company, where is made up of six individual directors (Andy, Brain, Chris, David, Evan and Faith) who have different degrees and experiences. Because of the difference, it able impacts the business. If theyRead MoreExecutive Summary1372 Words   |  6 PagesEXECUTIVE SUMMARY Square Textile Ltd. started its operation in 1997. It was enlisted in Dhaka Stock Exchange Chittagong Stock Exchange in 2002. The business lines of Square Textile Ltd. are manufacturing and marketing of yarn. Its factory is located in Gazipur , Dhaka. The manufactures 100% Cotton Ring Span Yarn or Hosiery , 100% Cotton OE Rotor For Hosiery and Knit Fabrics for 100% export oriented readymade Garments Industry. The strategic Goals and Objectives of the Company are to striveRead MoreExecutive Summary1598 Words   |  7 PagesMacy’s: Executive Summary Macy’s, Inc. Macy’s, Inc. is known as the one of the leading retail corporations worldwide. It offers its customers a wide range of products including clothing, footwear, jewelry, beauty products, and even home dà ©cor. Macy’s has opened more than 800 stores across the U.S. and reported fiscal year (FY) 2009 sales of $23.5 billion. Although Macy’s is a prominent retailer today, their success had to start somewhere. In this summary we will take a glance at Macy’s historyRead MoreExecutive Summary958 Words   |  4 PagesExecutive Summary of the Joint Commission changes that are need: Nightingale Community Hospital has been increasing their safety standards in all three general categories, Conduct a pre-procedure verification process, mark the procedure site and a time-out is performed before the procedure over the past year. Nightingale Community Hospital’s value for safety states: â€Å"We believe that excellence begins with providing safe environment. We put our patients first as we seek to exceed the expectationsRead MoreExecutive Summary1089 Words   |  5 PagesCody Morrow and Gaige Marshall’s Business Plan Executive Summary Play Forward Clothing is in the process of being formed as a partnership owned and operated by Cody Morrow and Gaige Marshall. This plan is written as a guide for starting and managing this new business and will also serve as the basis for a separate, detailed marketing plan. Following is a summary of the main points of this plan. * The objectives of Play Forward Clothing are to generate a profit, grow at a challengingRead MoreExecutive Summary1440 Words   |  6 Pagesï » ¿ Executive Summary - Infection Control and Prevention Current Compliance Status for Joint Commission Accreditation Nightingale Community Hospital is committed to providing healthcare excellence, a healing environment and to be the choice for patient care. In order to continue to provide quality healthcare services in accordance with our values of safety, community, teamwork, and accountability Joint Commission Accreditation provides guidelines and standards for the Priority Focus Areas (PFA)

Consecuencias de mentir para visa o a Inmigracin

Si mientes o cometes fraude para obtener una visa u otro beneficio migratorio y te agarran las consecuencias son muy graves.  ¿Quà © puede pasar? ¿Es posible salir del problemà ³n? Pero,  ¿quà © es mentir para las autoridades de inmigracià ³n? En el contexto de Inmigracià ³n, mentir es decir—en forma hablada o por escrito—algo que no se corresponde con la verdad con el fin de conseguir un beneficio de Inmigracià ³n cuando tal beneficio no serà ­a concedido de haberse conocido la verdad. Esa mentira es lo que se conoce en inglà ©s como material misrepresentation. Por otro lado, el fraude de migratorio, conocido en inglà ©s como visa fraud es muy similar a la mentira de la que estamos hablando. Y las consecuencias son iguales. Ademà ¡s, una mentira puede ser considerada como prueba de tener un mal carà ¡cter moral, lo cual es importante porque para algunos beneficios es un requisito ser considerado una persona con buena moral.  ¿Para quà © se miente o se comete fraude migratorio? Para conseguir un beneficio migratorio, que puede ser de muy diversos tipos, por ejemplo: Visas tipo turista, de trabajo temporal o de estudianteSacar la ciudadanà ­a mediante la naturalizacià ³nTarjeta de residencia (tambià ©n conocida como visa de inmigrante o greencard)Ingresar a Estados UnidosAsilo, accià ³n diferida, etc.  ¿Cuà ¡les son ejemplos de mentiras o de acciones que constituyen fraude migratorio? Entre otras, cualquiera de las siguientes acciones: Mentiras relacionadas con el estado civil (soltero, casado, divorciado, etc)Utilizar un nombre falso o que corresponde a otra persona.No declarar el nà ºmero exacto de hijos.Negar tener familiares en EEUU o que son ciudadanos americanos.Presentar documentos falsos sobre cuentas bancarias, propiedades, etc.Mentir sobre trabajo, estudios, etc.Mentir sobre el tiempo de estancia fuera de los Estados UnidosMentir sobre pago de impuestosMentir sobre pago de pensià ³n de manutencià ³n (child support)Presentar tà ­tulos acadà ©micos que no son falsos.Cartas falsas sobre experiencia laboral.Contar a un oficial de Inmigracià ³n en una frontera o aeropuerto que la intencià ³n es visitar temporalmente Estados Unidos como turista cuando el objetivo verdadero es casarse con un ciudadano y quedarse o simplemente entrar a vivir con el cà ³nyuge ciudadano y pedir un ajuste de estatus sin esperar fuera del paà ­s por la residencia permanente.Sobornar -incluso en grado de tentativa- a un ofici al consular para obtener la aprobacià ³n del visado.Alterar una visa autà ©ntica o falsificarla.Comprar, vender, transferir o procurar a otra persona una visa u otro documento legà ­timo, como por ejemplo, un pasaporte.Entrar a EEUU con una visa de turista o sin visado (paà ­ses en el Programa de Exencià ³n de Visas) con la intencià ³n de trabajar para una empresa americana.Ingresar a Estados Unidos como turista con la intencià ³n de estudiar a tiempo completo - mà ¡s de 19 horas a la semana) en una universidad o academia. (Este es un problema con los espaà ±oles y posiblemente lo vaya a ser con los chilenos que por tener mala informacià ³n vienen a estudiar inglà ©s en EEUU a tiempo completo en verano creyendo que no necesitan visa de estudiante por tener la ESTA. Pero esa es una autorizacià ³n electrà ³nica para turistas y poco mà ¡s. No para estudiar).  ¿Cuà ¡les son las consecuencias de mentir en asuntos de Inmigracià ³n o para sacar una visa? Los efectos de la mentira o del fraude migratorio -inadmisibilidad conocida oficialmente como INA seccià ³n 212 (a)(6)(C)(i)- son los siguientes: El problema original por el que mentiste sigue ahà ­. No ha desaparecido.Te has convertido en inadmisible por razà ³n de haber cometido un fraude migratorio (visa fraud). Esto quiere decir que no vas a poder conseguir visas no inmigrante ni tampoco una de inmigrante. Tampoco vas a poder ajustar tu estatus ni obtener cambios de visa. Tampoco se podrà ¡ obtener beneficios migratorios como la accià ³n diferida, si eres un Dreamers, o incluso asilo.Ademà ¡s, si està ¡s en Estados Unidos una vez que el gobierno se entera de que hay un problema de fraude inmigratorio iniciarà ¡ un procedimiento para deportarte. Incluso en ocasiones graves puede iniciar un proceso penal, enviarte a la cà ¡rcel y al salir, deportarte.Asimismo, tendrà ¡s ya siempre un problema de falta de credibilidad con todas las personas del gobierno americano que tratan temas migratorios (oficiales consulares, oficiales de aduanas, USCIS, CBP, jueces de cortes migratorias, etc.)En algunos casos, mentir o utilizar documentacià ³n fraudulenta equivale a ingreso ilegal a EE.UU.Finalmente, si se ha obtenido un beneficio migratorio durante una tramitacià ³n en la que se ha mentido, es posible revocarlo. Y esto afecta a situaciones tan diversas como una visa de turista e incluso la green card o la ciudadanà ­a. En muchos de estos casos hay que destacar que el hecho sobre el que se miente no es razà ³n suficiente para denegar un beneficio migratorio o una visa. Es la mentira en sà ­ la que causa todos los problemas.    ¿Cà ³mo se enteran de que has mentido? Por diversos cauces. Por ejemplo (hay muchos mà ¡s): En algunos paà ­ses con un alto nà ºmero de mentiras detectadas los consulados investigan si los documentos que se presentan son verdaderos, si los reportes bancarios son fabricados por un abogado corrupto.En el curso de una entrevista pueden darse cuenta de que hay inconsistencias notorias y hacen una comprobacià ³n de los hechos.Puede que todo se descubra mà ¡s tarde cuando en el curso de la peticià ³n de otro beneficio migratorio se destapa la mentira original. Por ejemplo, si se le miente al oficial del aeropuerto presentà ¡ndose con una visa de turista cuando la intencià ³n es quedarse a vivir con el cà ³nyuge americano en Estados Unidos puede ocurrir que cuando a continuacià ³n se pide el ajuste de estatus à ©ste se niegue por fraude migratorio (visa fraud).Por una denuncia anà ³nima. Por ejemplo, no tienes a mano el certificado de divorcio y dices en una planilla de inmigracià ³n que nunca has estado casado. Y resulta que tu ex se entera y asà ­ lo hace saber a la autoridad que corresponda. Etc.  ¿Quà © hacer? Lo mà ¡s importante es pararse antes de contar la mentira. Y valorar muy bien las posibles consecuencias. Incluso consultar con un abogado especialista. Siempre es mejor no obtener momentà ¡neamente un beneficio migratorio (como por ejemplo una visa), que obtenerlo a travà ©s de una mentira y que mà ¡s tarde te lo quiten y que no te lo vuelvan a dar, posiblemente por el resto de tu vida. (Estas son tarifas promedio de lo que cobran los abogados de inmigracià ³n, incluido costo de consulta). Ten mucho cuidado con toda esa gente que se llama consultores y ofrecen documentos falsos o llenan tus planillas con informacià ³n no verdadera. Ya que si se descubre quien se queda con el problema eres tà º. No ellos. Y no vale de nada decir que te aconsejaron, que no entiendes bien inglà ©s, que te dijo tu familia, etc. Tà º eres el à ºnico responsable de lo que presentas y de lo que firmas.  ¿Es posible pedir un perdà ³n en los casos de inadmisibilidad por fraude inmigratorio o de visa? En casos muy especà ­ficos sà ­ es posible, hay una tramitacià ³n distinta para visas de inmigrante y para las de no inmigrante. Pero, honestamente, son pocos los que se conceden. Si tienes un problema de inadmisibilidad por INA 212(a)(6)(C)(i) y quieres plantearte solicitar un perdà ³n, habla con un abogado de inmigracià ³n especialista en este tema en concreto. Para valorar si tienes una chance antes de gastar mucho tiempo y dinero. Pero primero asegà ºrate que tu inadmisibilidad es realmente esa. Si tienes papeles del consulado, USCIS, la CBP, etc, mira siempre quà © ponen y en algà ºn lado ha de poner la causa del problema. Pero si no sabes exactamente cuà ¡l es tu causa de inadmisibilidad, es decir, la razà ³n por la que te niegan una visa o cualquier otro beneficio migratorio, siempre puedes solicitar tu historial.